Segundo CFP / Extended Deadline: 02.10.2011
La VIII edición de las Jornadas Internacionales de Filosofía Política, auspiciadas por la Universidad de Barcelona tiene por objeto reunir a profesionales de los varios ámbitos relacionados con la reflexión actual filosófico-política.
La temática de este año gira al entorno de las múltiples figuras de la dominación y la sujeción política.
Las comunicaciones pueden presentarse en català, español e inglés.
Más información: http://www.ub.edu/demoment/jornadasfp2011/
Mostrando entradas con la etiqueta CALLING FOR MOTION. Mostrar todas las entradas
Mostrando entradas con la etiqueta CALLING FOR MOTION. Mostrar todas las entradas
22/9/11
4/3/11
CFP FILM-PHILOSOPHY CONFERENCE
To be celebrated at the Liverpool John Moores University.
Further Information and the CFP can be found here
19/1/11
CFP Pragmatism and the Social Science
The European Journal of Pragmatism and American Philosophy calls for papers on the topic "Pragmatism and the Social Science"
See the CFP in this link
CFP Philosophy of the Social Sciences, Copenhague 2011
From the CFP of the Organisation:
Conference on the Philosophy of the Social Sciences 2011
August 25 & 26 2011 – University of Copenhagen
The conference is the first of a series of two conferences on the philosophy of the social sciences to be held at the University of Copenhagen, Denmark. The second will take place in August 2012. The conferences are part of a plan to establish a tradition of annual European conferences on the philosophy of the social sciences.
The philosophy of the social sciences is concerned with the multifarious philosophical issues raised by the social sciences. The 2011 conference highlights two questions.
More information in this link
19/8/10
VII JORNADAS DE FILOSOFÍA POLÍTICA del SFP-UB: FIGURAS DE LA EMANCIPACIÓN
Universitat de Barcelona, 15-18 November 2010
CFP:
“Figures of Emancipation” will be the topic for critical discussion of the 7th Political Philosophy Conference, convened by the Political Philosophy Seminar at the University of Barcelona. We believe that the current crisis and backward steps regarding past social achievements, along with the impoverishment of the political discourse, turn the present moment into a good one to discuss a topic such as emancipation. Emancipatory struggles have undergone historical periods of rise and fall in both the political discourse and the political practice—sometimes gone with revolutions, other times silenced by the counterrevolutions. And, in each of these moments, proposals for emancipation have expressed themselves very diversely. Nowadays, the idea of emancipation remains fragmented, divided into “specializations” and “trades,” just as it happens with knowledge and labor. The unitary project of human emancipation of the Enlightenment has given way to very diverse forms of emancipation—feminist, environmentalist, cultural, ethnic, social, of the peoples and of the minorities—gaining intensity at the expense of unity...More info in: http://www.ub.edu/demoment/jornadasfp2010/
17/6/10
PHILOSOPHY AND ARCHITECTURE
CFP of the Conference on Philosophy and Architecture, University of Boston, April 2011.
The conference is examining the relationships between these two disciplines, focusing specially in "Architecture, ethics, and love".
14/6/10
26/4/10
CONGÈNERE
LA CONSTRUCCIÓ DEL GÈNERE A LA FICCIÓ TELEVISIVA, UdG 2010
Congrés Congènere
Seu: Parc Científic i Tecnològic de la UdG
Secretaria
Pujada d'Alemanys, 4
Codi Postal 17071 Girona
Espanya
web:
www.congenere.org
Tel.: +34 972 419 700
Fax: +34 972 419 709
E-mail:
congenere@udg.edu
Seu: Parc Científic i Tecnològic de la UdG
Secretaria
Pujada d'Alemanys, 4
Codi Postal 17071 Girona
Espanya
web:
www.congenere.orgTel.: +34 972 419 700
Fax: +34 972 419 709
E-mail:
congenere@udg.edu10/4/10
INTERNATIONAL SYMPOSIUM "YES, WE KANT!"
Yes we Kant!
Critical reflections on objectivity:
its meaning, its limitations, its fateful omissions
May 27-29, 2010
Ghent-Belgium
Centre for Critical Philosophy
www.criticalphilosophy.ugent.be
CFP:
"The aim of this three-day international workshop is to present and
exchange various critical viewpoints on objectivity and subjectivity,
and to more specifically focus on the various interpretations of
necessity in its relation to contingency. This approach on the matter
can find inspiration in Kant’s third Critique, but this source of
inspiration should certainly not be considered as the only possible
one. Husserl's gesture to extrapolate the co-constitutive relation
between objectivity and subjectivity to history is but one example of
objectivity seen from a dynamical, contingently, historically and
subjectively grounded background, the life-world. The meeting is open
to explore other backgrounds.
To realize that end, we invited speakers from different disciplinary
backgrounds – physics, mathematics, biology, human and social sciences,
– and embedded in quite divergent philosophical contexts. This
meeting is not in the first place about critically, exegetically,
discussing Kant’s texts. Its aim is rather to inquire whether, and in
what sense, a return to Kant and to neo-Kantianism can be important to
open unsuspected perspectives on objectivity (and subjectivity). We
conjecture that this approach can be relevant (i) for a contemporary
reading of basic texts in the tradition of transcendental philosophy,
(ii) for a conception of objectivity that can have a relevance in
current philosophy and in philosophy of science in particular, and
(iii) for the development of a transcendental viewpoint in philosophy
of science, supplementing and challenging current dominant analytical
viewpoints."
Critical reflections on objectivity:
its meaning, its limitations, its fateful omissions
May 27-29, 2010
Ghent-Belgium
Centre for Critical Philosophy
www.criticalphilosophy.ugent.be
CFP:
"The aim of this three-day international workshop is to present and
exchange various critical viewpoints on objectivity and subjectivity,
and to more specifically focus on the various interpretations of
necessity in its relation to contingency. This approach on the matter
can find inspiration in Kant’s third Critique, but this source of
inspiration should certainly not be considered as the only possible
one. Husserl's gesture to extrapolate the co-constitutive relation
between objectivity and subjectivity to history is but one example of
objectivity seen from a dynamical, contingently, historically and
subjectively grounded background, the life-world. The meeting is open
to explore other backgrounds.
To realize that end, we invited speakers from different disciplinary
backgrounds – physics, mathematics, biology, human and social sciences,
– and embedded in quite divergent philosophical contexts. This
meeting is not in the first place about critically, exegetically,
discussing Kant’s texts. Its aim is rather to inquire whether, and in
what sense, a return to Kant and to neo-Kantianism can be important to
open unsuspected perspectives on objectivity (and subjectivity). We
conjecture that this approach can be relevant (i) for a contemporary
reading of basic texts in the tradition of transcendental philosophy,
(ii) for a conception of objectivity that can have a relevance in
current philosophy and in philosophy of science in particular, and
(iii) for the development of a transcendental viewpoint in philosophy
of science, supplementing and challenging current dominant analytical
viewpoints."
26/3/10
CFP 3rd Global Conference Heavy Fundametalisms: Can I Play with Madness? Metal, Dissonance, Madness and Alienation
Call for Papers
"From the outset of the forging Heavy Metal’s music and culture, madness
has been an ever present theme. From Black Sabbath’s Paranoid through
Iron Maiden’s Can I Play with Madness? to the more recent Psychosocial
chant from Slipknot, madness and mental illness are just of the few well
known examples has featured in the Metal mainstream. It is a
fascination with madness that further belches out on to the surface from
the metal underground. Madness is not confined to the lyrical and
musical expressions of the artists, but can be used to describe features
of the entire metal scene in its exuberant expression of alienation, by
individuals through to the chaotic theatre of the pit"
Organising Chairs
Niall Scott
The International School for Communities Rights and Inclusion
University of Central Lancashire
Preston, Lancashire, United Kingdom
Email: nwrsc...@uclan.ac.uk
Rob Fisher
Inter-Disciplinary.Net
Priory House, Wroslyn Road
Freeland, Oxfordshire OX29 8HR
Email: m...@inter-disciplinary.net
"From the outset of the forging Heavy Metal’s music and culture, madness
has been an ever present theme. From Black Sabbath’s Paranoid through
Iron Maiden’s Can I Play with Madness? to the more recent Psychosocial
chant from Slipknot, madness and mental illness are just of the few well
known examples has featured in the Metal mainstream. It is a
fascination with madness that further belches out on to the surface from
the metal underground. Madness is not confined to the lyrical and
musical expressions of the artists, but can be used to describe features
of the entire metal scene in its exuberant expression of alienation, by
individuals through to the chaotic theatre of the pit"
Organising Chairs
Niall Scott
The International School for Communities Rights and Inclusion
University of Central Lancashire
Preston, Lancashire, United Kingdom
Email: nwrsc...@uclan.ac.uk
Rob Fisher
Inter-Disciplinary.Net
Priory House, Wroslyn Road
Freeland, Oxfordshire OX29 8HR
Email: m...@inter-disciplinary.net
22/2/10
SCENOGRAPHY EXPANDING, Riga - Belgrade - Evora 2010
Invitation and Call for Papers
Throughout the past decade, scenographic practice and performance design have continuously moved beyond the black box of the theatre toward a hybrid terrain located at the intersections of theatre, architecture, exhibition, visual arts, and media. This terrain and its spaces are constructed from action and interaction. They are defined by individual and group behavior, and are contrasted by distinct behavioral patterns.
It is proposed here that spaces that are staged in such a way – spaces that are at the same time hybrid, mediated, narrative, and transformative – result from a trans-disciplinary understanding of space and a distinct awareness of social agency. These two factors of “expansion” are seen as the central driving forces in contemporary scenographic practice and thought.
With the aim of initiating and hosting an active and trans-disciplinary discourse on the notion of an expanding scenography, the Prague Quadrennial for Performance Design and Space issues an invitation for participation and a Call for Papers for the symposia and workshop sessions, Scenography Expanding 1-3 in 2010. Grouped under the overriding and programmatic title of Scenography Expanding, invited academic papers, artist’s presentations and expert workshop sessions will be looking to engage with notions of spectatorship, artists/authors, and curating in relation to the diverse artistic positions in contemporary spatial design.
In preparation for the Intersection Project of the Prague Quadrennial in June, 2011, we invite researchers in practice and theory (artists, curators, programers, directors, dramaturgs, critics, and theorists) to participate in 3 international scenography symposia held in Riga, Belgrade and Évora during 2010. The overall aim of these symposia is to unfold the wide range of disciplines, genres, theoretical, and artistic positions that comprise the relationships between spectator, artist/author and curator in contemporary scenographic/performance design practice.
Scenography Expanding 1-3 will be followed up by a peer-reviewed publication comprised of selected speakers` contributions in the form of academic papers and visual essays.
MORE INFORMATION: www.intersection.cz/symposia/scenography-expanding/
Throughout the past decade, scenographic practice and performance design have continuously moved beyond the black box of the theatre toward a hybrid terrain located at the intersections of theatre, architecture, exhibition, visual arts, and media. This terrain and its spaces are constructed from action and interaction. They are defined by individual and group behavior, and are contrasted by distinct behavioral patterns.
It is proposed here that spaces that are staged in such a way – spaces that are at the same time hybrid, mediated, narrative, and transformative – result from a trans-disciplinary understanding of space and a distinct awareness of social agency. These two factors of “expansion” are seen as the central driving forces in contemporary scenographic practice and thought.
With the aim of initiating and hosting an active and trans-disciplinary discourse on the notion of an expanding scenography, the Prague Quadrennial for Performance Design and Space issues an invitation for participation and a Call for Papers for the symposia and workshop sessions, Scenography Expanding 1-3 in 2010. Grouped under the overriding and programmatic title of Scenography Expanding, invited academic papers, artist’s presentations and expert workshop sessions will be looking to engage with notions of spectatorship, artists/authors, and curating in relation to the diverse artistic positions in contemporary spatial design.
In preparation for the Intersection Project of the Prague Quadrennial in June, 2011, we invite researchers in practice and theory (artists, curators, programers, directors, dramaturgs, critics, and theorists) to participate in 3 international scenography symposia held in Riga, Belgrade and Évora during 2010. The overall aim of these symposia is to unfold the wide range of disciplines, genres, theoretical, and artistic positions that comprise the relationships between spectator, artist/author and curator in contemporary scenographic/performance design practice.
Scenography Expanding 1-3 will be followed up by a peer-reviewed publication comprised of selected speakers` contributions in the form of academic papers and visual essays.
MORE INFORMATION: www.intersection.cz/symposia/scenography-expanding/
9/2/10
TERCER CONGRESO DE ESTUDIANTES ORGANIZADO POR LA ASOCIACIÓN A TOPE CON EL SER LA CRÍTICA DE LA MODERNIDAD EN EL PENSAMIENTO CONTEMPORÁNEO
CALL FOR PAPERS DE LOS ORGANIZADORES:
"Con el objetivo de realizar un congreso anual en el que los estudiantes puedan participar con ponencias o exposiciones donde desarrollen sus reflexiones , estamos organizando el TERCER CONGRESO DE FILOSOFÍA DE ESTUDIANTES, que se celebrará esta primavera, DEL 23 AL 25 DE MARZO.
El tema que hemos escogido este año pretende abordar un estudio de la crítica que ha recibido desde finales del XIX y hasta nuestros días todas las grandes ideas del pensamiento de la Modernidad: democracia, humanismo, globalización, universalismo, dominación de la naturaleza, la ciencia como verdad, la idea de progreso... Todos los campos de las ciencias humanas han sido interpretados y elaborados bajo el paradigma de la Modernidad, paradigma que primero las guerras mundiales, luego el 11 S y finalmente la reciente crisis de 2008 han hecho tambalearse. Posmodernos, conservadores, nostálgicos, ecologistas y pensadores de todo cuño han criticado e intentado repensar los cimientos de nuestra sociedad y pensamiento prescindiendo del enfoque moderno, tarea que tampoco está resultado tan sencilla.
Nos gustaría con este congreso poder colaborar en el análisis y crítica de la Modernidad, tanto mediante una vuelta a los autores y textos que mejor lo han focalizado y analizado como con las visiones y posiciones particulares de los ponentes y las personas interesadas en acudir.
TODOS AQUELLOS INTERESADOS EN PARTICIPAR, ROGAMOS MANDEN UN BOCETO DE SU INTERVENCIÓN (no más de medio folio) ANTES DEL 20 DE FEBRERO a la dirección: atopeconelser@gmail.com"
"Con el objetivo de realizar un congreso anual en el que los estudiantes puedan participar con ponencias o exposiciones donde desarrollen sus reflexiones , estamos organizando el TERCER CONGRESO DE FILOSOFÍA DE ESTUDIANTES, que se celebrará esta primavera, DEL 23 AL 25 DE MARZO.
El tema que hemos escogido este año pretende abordar un estudio de la crítica que ha recibido desde finales del XIX y hasta nuestros días todas las grandes ideas del pensamiento de la Modernidad: democracia, humanismo, globalización, universalismo, dominación de la naturaleza, la ciencia como verdad, la idea de progreso... Todos los campos de las ciencias humanas han sido interpretados y elaborados bajo el paradigma de la Modernidad, paradigma que primero las guerras mundiales, luego el 11 S y finalmente la reciente crisis de 2008 han hecho tambalearse. Posmodernos, conservadores, nostálgicos, ecologistas y pensadores de todo cuño han criticado e intentado repensar los cimientos de nuestra sociedad y pensamiento prescindiendo del enfoque moderno, tarea que tampoco está resultado tan sencilla.
Nos gustaría con este congreso poder colaborar en el análisis y crítica de la Modernidad, tanto mediante una vuelta a los autores y textos que mejor lo han focalizado y analizado como con las visiones y posiciones particulares de los ponentes y las personas interesadas en acudir.
TODOS AQUELLOS INTERESADOS EN PARTICIPAR, ROGAMOS MANDEN UN BOCETO DE SU INTERVENCIÓN (no más de medio folio) ANTES DEL 20 DE FEBRERO a la dirección: atopeconelser@gmail.com"
5/2/10
WORKSHOP "EMOTIONS & ETHICS" Universidad de Salamanca
27/12/09
FILM-PHILOSOPHY III Warwick University
"The University of Warwick, with the support of its Humanities Research Centre, is hosting Film-Philosophy III: the third annual conference of the Film-Philosophy journal, 15-17 July 2010."
http://www2.warwick.ac.uk/fac/arts/film/researchnews/filmphilosophyconference/film-philosophy.pdf
http://www2.warwick.ac.uk/fac/arts/film/researchnews/filmphilosophyconference/film-philosophy.pdf
21/12/09
33 WITTGENSTEIN SYMPOSIUM ALWG
Image and Imaging in Philosophy, Science, and the Arts
http://www.alws.at/index.php/wittgenstein/symposium_aktuell/
http://www.alws.at/index.php/wittgenstein/symposium_aktuell/
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